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Posted by augustb on April 17, 2011 | 2 Comments “Hasselblad Masters Book”... My lighting in this video is a bit dated compared with what I’m using gear-wise now but it shows the the set building and props in full force. Also fun to see some of the classic images come alive. This was a...
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Posted by augustb on April 17, 2011 | 3 Comments Fashion Shoot Behind-the-Scenes Vide... Here is the behind-the-scenes video from the recent Louis Verdad Fall 2011 shoot, showing more of the team in action and more clearly revealing the production process. Lighting was explained a bit more in the previous...
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Posted by augustb on April 15, 2011 | 1 Comment Capitol of Sorrow This is an older one, and a different kind of take on the behind-the-scenes video. My friend the fashion cinema filmmaker Robertino Fonseca shot this footage at one of my shoots then patched together a story from what...
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Posted by augustb on 12 25th, 2011
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With our switch to the RED Epic camera, we’re now working with RAW files on the tv commercial shoots. This gives us an extraordinary amount of color control and range. Below are a few snapshots from my day in the color grading suite optimizing the color on the files from our last shoot.
With film (as opposed to digital), color was an obvious part of the Director of...
With our switch to the RED Epic camera, we’re now working with RAW files on the tv commercial shoots. This gives us an extraordinary amount of color control and range. Below are a few snapshots from my day in the color grading suite optimizing the color on the files from our last shoot.
With film (as opposed to digital), color was an obvious part of the Director of...
Posted by augustb
The new RED Epic Camera and Arri 18-80mm 2.6 lens that we were testing in my earlier post has now been rolled into production on our latest tv commercials. It’s a beautiful setup — detailed photos below.
The lens is not only quicker for transitions (no lens changes), but also sharper than the Zeiss CP2 primes we had been using. The raw files are beautiful, with an...
The new RED Epic Camera and Arri 18-80mm 2.6 lens that we were testing in my earlier post has now been rolled into production on our latest tv commercials. It’s a beautiful setup — detailed photos below.
The lens is not only quicker for transitions (no lens changes), but also sharper than the Zeiss CP2 primes we had been using. The raw files are beautiful, with an...
Posted by augustb
I was in the sound studio this weekend with my audio guru and master sound designer, Geordy Sincavage (Emmy recipient from work on Lost, Alias) who I work with closely on motion projects, and with master audio mixer Onna who mixes the sound for CSI among other projects.
Several elements contribute to creating the final audio for a film or dramatic tv . There are endless effects and...
I was in the sound studio this weekend with my audio guru and master sound designer, Geordy Sincavage (Emmy recipient from work on Lost, Alias) who I work with closely on motion projects, and with master audio mixer Onna who mixes the sound for CSI among other projects.
Several elements contribute to creating the final audio for a film or dramatic tv . There are endless effects and...
Posted by augustb
Since the earlier post detailing the HDSLR rig we were using for the ABC Family commercials, my team has done several more tv commercials and along the way we have extensively refined the kit. The last setup was highly functional but a bit of a Frankenstein monster.
The new rig is more compact, cleaner and more functional, especially from the standpoint of pulling focus —...
Since the earlier post detailing the HDSLR rig we were using for the ABC Family commercials, my team has done several more tv commercials and along the way we have extensively refined the kit. The last setup was highly functional but a bit of a Frankenstein monster.
The new rig is more compact, cleaner and more functional, especially from the standpoint of pulling focus —...
Posted by augustb
This is the first of a couple views behind the scenes of the Louver shoot that I recently posted images from. The time-lapse covers most of the shoot with a frame taken every 10 seconds. It was a half day shoot with just a few looks, which is relatively short. It gives a sense of the process on the shooting stage in my studio.
Lighting was very simple in this shoot, we wanted to...
This is the first of a couple views behind the scenes of the Louver shoot that I recently posted images from. The time-lapse covers most of the shoot with a frame taken every 10 seconds. It was a half day shoot with just a few looks, which is relatively short. It gives a sense of the process on the shooting stage in my studio.
Lighting was very simple in this shoot, we wanted to...
Posted by augustb
Popular Photography Magazine has run a beauty story on how I lit this image – I walk through the entire lighting setup in the story with diagrams.
FULL ARTICLE HERE (link)
Popular Photography Magazine has run a beauty story on how I lit this image – I walk through the entire lighting setup in the story with diagrams.
FULL ARTICLE HERE (link)
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